cwilwol: One Giant Step Pen Holder Product Photo for www.jzpen.com
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cwilwol:

One Giant Step Pen Holder Product Photo for www.jzpen.com

歴史とデジタル: 移動式デジタルメイカースペース“DHMakerBus”　プロジェクト始動

historyanddigital:

2013年4月14日に、カナダのウェスタン大学の院生による“DHMakerBus”というプロジェクトが発表された。このプロジェクトは、バスを使った移動式のデジタルメイカースペースを作ろうというもので、その運営を通じて、Digital Humanitiesの一般への発信、つまりDigital Public Humanitiesを目指すものだと言えるだろう。

このプロジェクトは、まず、寄付を募って（ロンドンの？）スクールバスを購入し、その内部をメイカースペースへ改造するところから始められている。

…

hifructosemag: Following his international film premiere of Jellyfish Eyes (reviewed here), Takashi Murakami’s exhibition “Arhat” opened over the weekend at Blum & Poe in Los Angeles. The show is his sixth exhibition with the gallery and his first major presentation in the United States since the 2007-2008 traveling show entitled “© Murakami.” While Jellyfish Eyes as a work was created in response to troubled modern times, “Arhat” takes the viewer through distinct eras of a visual story — historical, contemporary and future. Throughout, Murakami blends his love for nihonga, or traditional Japanese-style painting, and manga with new techniques true to his Superflat style, which mixes historical Japanese art with pop culture. Each era is represented by a different style flowing between three galleries laid out in Blum & Poe. The viewer is first met by large paintings portraying Buddhist monks and demonic creatures in a state of decay, painted in bright colors with slashes of neon. Watching over them in the middle of the room is a glorious gold monument in the shape of a skull engulfed in flames. The second room contains Murakami’s signature sun-flowers paintings in varying colors, this time paired with ominous jellyfish-like skulls, and his first wall mounted piece, made of a silver skulls melting into each other. These jellyfish motifs continue into the third and final room of self portraits of Murakami and his beloved companion, his dog Pom. Here, Murakami seems to be represented in various states of enlightenment. In each piece, Murakami places himself at the top of a mountain made of colorful skulls; a reference to obstacles laid before him with the hope of new life sprouting as a tree above him. Take a look at our exclusive photos from the opening night of “Arhat” and check out the exhibition at Blum & Poe through May 25. MORE: http://hifructose.com/2013/04/15/opening-night-takashi-murakamis-arhat-at-blum-poe/
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hifructosemag: Following his international film premiere of Jellyfish Eyes (reviewed here), Takashi Murakami’s exhibition “Arhat” opened over the weekend at Blum & Poe in Los Angeles. The show is his sixth exhibition with the gallery and his first major presentation in the United States since the 2007-2008 traveling show entitled “© Murakami.” While Jellyfish Eyes as a work was created in response to troubled modern times, “Arhat” takes the viewer through distinct eras of a visual story — historical, contemporary and future. Throughout, Murakami blends his love for nihonga, or traditional Japanese-style painting, and manga with new techniques true to his Superflat style, which mixes historical Japanese art with pop culture. Each era is represented by a different style flowing between three galleries laid out in Blum & Poe. The viewer is first met by large paintings portraying Buddhist monks and demonic creatures in a state of decay, painted in bright colors with slashes of neon. Watching over them in the middle of the room is a glorious gold monument in the shape of a skull engulfed in flames. The second room contains Murakami’s signature sun-flowers paintings in varying colors, this time paired with ominous jellyfish-like skulls, and his first wall mounted piece, made of a silver skulls melting into each other. These jellyfish motifs continue into the third and final room of self portraits of Murakami and his beloved companion, his dog Pom. Here, Murakami seems to be represented in various states of enlightenment. In each piece, Murakami places himself at the top of a mountain made of colorful skulls; a reference to obstacles laid before him with the hope of new life sprouting as a tree above him. Take a look at our exclusive photos from the opening night of “Arhat” and check out the exhibition at Blum & Poe through May 25. MORE: http://hifructose.com/2013/04/15/opening-night-takashi-murakamis-arhat-at-blum-poe/
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hifructosemag: Following his international film premiere of Jellyfish Eyes (reviewed here), Takashi Murakami’s exhibition “Arhat” opened over the weekend at Blum & Poe in Los Angeles. The show is his sixth exhibition with the gallery and his first major presentation in the United States since the 2007-2008 traveling show entitled “© Murakami.” While Jellyfish Eyes as a work was created in response to troubled modern times, “Arhat” takes the viewer through distinct eras of a visual story — historical, contemporary and future. Throughout, Murakami blends his love for nihonga, or traditional Japanese-style painting, and manga with new techniques true to his Superflat style, which mixes historical Japanese art with pop culture. Each era is represented by a different style flowing between three galleries laid out in Blum & Poe. The viewer is first met by large paintings portraying Buddhist monks and demonic creatures in a state of decay, painted in bright colors with slashes of neon. Watching over them in the middle of the room is a glorious gold monument in the shape of a skull engulfed in flames. The second room contains Murakami’s signature sun-flowers paintings in varying colors, this time paired with ominous jellyfish-like skulls, and his first wall mounted piece, made of a silver skulls melting into each other. These jellyfish motifs continue into the third and final room of self portraits of Murakami and his beloved companion, his dog Pom. Here, Murakami seems to be represented in various states of enlightenment. In each piece, Murakami places himself at the top of a mountain made of colorful skulls; a reference to obstacles laid before him with the hope of new life sprouting as a tree above him. Take a look at our exclusive photos from the opening night of “Arhat” and check out the exhibition at Blum & Poe through May 25. MORE: http://hifructose.com/2013/04/15/opening-night-takashi-murakamis-arhat-at-blum-poe/
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hifructosemag: Following his international film premiere of Jellyfish Eyes (reviewed here), Takashi Murakami’s exhibition “Arhat” opened over the weekend at Blum & Poe in Los Angeles. The show is his sixth exhibition with the gallery and his first major presentation in the United States since the 2007-2008 traveling show entitled “© Murakami.” While Jellyfish Eyes as a work was created in response to troubled modern times, “Arhat” takes the viewer through distinct eras of a visual story — historical, contemporary and future. Throughout, Murakami blends his love for nihonga, or traditional Japanese-style painting, and manga with new techniques true to his Superflat style, which mixes historical Japanese art with pop culture. Each era is represented by a different style flowing between three galleries laid out in Blum & Poe. The viewer is first met by large paintings portraying Buddhist monks and demonic creatures in a state of decay, painted in bright colors with slashes of neon. Watching over them in the middle of the room is a glorious gold monument in the shape of a skull engulfed in flames. The second room contains Murakami’s signature sun-flowers paintings in varying colors, this time paired with ominous jellyfish-like skulls, and his first wall mounted piece, made of a silver skulls melting into each other. These jellyfish motifs continue into the third and final room of self portraits of Murakami and his beloved companion, his dog Pom. Here, Murakami seems to be represented in various states of enlightenment. In each piece, Murakami places himself at the top of a mountain made of colorful skulls; a reference to obstacles laid before him with the hope of new life sprouting as a tree above him. Take a look at our exclusive photos from the opening night of “Arhat” and check out the exhibition at Blum & Poe through May 25. MORE: http://hifructose.com/2013/04/15/opening-night-takashi-murakamis-arhat-at-blum-poe/
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hifructosemag: Following his international film premiere of Jellyfish Eyes (reviewed here), Takashi Murakami’s exhibition “Arhat” opened over the weekend at Blum & Poe in Los Angeles. The show is his sixth exhibition with the gallery and his first major presentation in the United States since the 2007-2008 traveling show entitled “© Murakami.” While Jellyfish Eyes as a work was created in response to troubled modern times, “Arhat” takes the viewer through distinct eras of a visual story — historical, contemporary and future. Throughout, Murakami blends his love for nihonga, or traditional Japanese-style painting, and manga with new techniques true to his Superflat style, which mixes historical Japanese art with pop culture. Each era is represented by a different style flowing between three galleries laid out in Blum & Poe. The viewer is first met by large paintings portraying Buddhist monks and demonic creatures in a state of decay, painted in bright colors with slashes of neon. Watching over them in the middle of the room is a glorious gold monument in the shape of a skull engulfed in flames. The second room contains Murakami’s signature sun-flowers paintings in varying colors, this time paired with ominous jellyfish-like skulls, and his first wall mounted piece, made of a silver skulls melting into each other. These jellyfish motifs continue into the third and final room of self portraits of Murakami and his beloved companion, his dog Pom. Here, Murakami seems to be represented in various states of enlightenment. In each piece, Murakami places himself at the top of a mountain made of colorful skulls; a reference to obstacles laid before him with the hope of new life sprouting as a tree above him. Take a look at our exclusive photos from the opening night of “Arhat” and check out the exhibition at Blum & Poe through May 25. MORE: http://hifructose.com/2013/04/15/opening-night-takashi-murakamis-arhat-at-blum-poe/
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hifructosemag:

Following his international film premiere of Jellyfish Eyes (reviewed here), Takashi Murakami’s exhibition “Arhat” opened over the weekend at Blum & Poe in Los Angeles. The show is his sixth exhibition with the gallery and his first major presentation in the United States since the 2007-2008 traveling show entitled “© Murakami.” While Jellyfish Eyes as a work was created in response to troubled modern times, “Arhat” takes the viewer through distinct eras of a visual story — historical, contemporary and future. Throughout, Murakami blends his love for nihonga, or traditional Japanese-style painting, and manga with new techniques true to his Superflat style, which mixes historical Japanese art with pop culture.

Each era is represented by a different style flowing between three galleries laid out in Blum & Poe. The viewer is first met by large paintings portraying Buddhist monks and demonic creatures in a state of decay, painted in bright colors with slashes of neon. Watching over them in the middle of the room is a glorious gold monument in the shape of a skull engulfed in flames. The second room contains Murakami’s signature sun-flowers paintings in varying colors, this time paired with ominous jellyfish-like skulls, and his first wall mounted piece, made of a silver skulls melting into each other. These jellyfish motifs continue into the third and final room of self portraits of Murakami and his beloved companion, his dog Pom. Here, Murakami seems to be represented in various states of enlightenment. In each piece, Murakami places himself at the top of a mountain made of colorful skulls; a reference to obstacles laid before him with the hope of new life sprouting as a tree above him. Take a look at our exclusive photos from the opening night of “Arhat” and check out the exhibition at Blum & Poe through May 25.

MORE: http://hifructose.com/2013/04/15/opening-night-takashi-murakamis-arhat-at-blum-poe/

archimaps: Inside the Mapparium at The Christian Science Publishing Society, Boston Nice
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archimaps:

Inside the Mapparium at The Christian Science Publishing Society, Boston

Nice

jaymug: A Change May Be Just Around The Corner
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jaymug:

A Change May Be Just Around The Corner

blueberrymodern: ray kappe residence, pacific palisades, 1967 - photo by joao canziani, dwell magazine sep 2008 Love it
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blueberrymodern:

ray kappe residence, pacific palisades, 1967 - photo by joao canziani, dwell magazine sep 2008

Love it